Research
Jennifer Evans – co-curator and founder,
2023. The Queer Art of History: Queer Kinship after Fascism. (Duke University Press).
2023. Gender in Global Contexts: Labor, Law, and Human Rights, co-edited with Shelley O. Rose. (Berghahn Press)
2021. “The New Fascism Syllabus: Networked Knowledge in the Digital Public Sphere” Seminar: a Journal of Germanic Studies, 57(3).
2018. The Ethics of Seeing: Photography and 20th Century German History. Edited together with Paul Betts and Stefan-Ludwig Hoffmann (Berghahn Books).
“Fake News, Fake History: Historical Analogy and the Spectre of National Socialism in the Capital Riots of January 2021,” co-written chapter with Brandon Rigato in Qi Wang and Andrew Hoskins, The Remaking of Memory in the Internet Age (under review with Oxford University Press).
“Transatlantic Hate: People, Pathways, and Networks Between Germany and Canada in the 20th and 21st Century” together with Swen Steinberg, David Yuzva Clement, and Danielle Carron (under review with Central European History)
Holocaust Memory in the Digital Mediascape. Co-written with Erica Fagen and Meghan Lundrigan. (Bloomsbury, in preparation).
Sandra Robinson
2022. Platform Multiverse: Discontent and Disconnection among Alt-Rights. Canadian Journal of Communication 47(1), 197鈥218.
2022. Cases and Traces, Platforms and Publics: Big Data and Health Surveillance. In Communication and Health, eds. J. Greenberg and C. Elliott (Palgrave).
2019. A platform approach to experiential learning. Data literacy and technical skills development, NETCOM: R茅seaux, communication et territoire, 33(1-2).
2019. Law鈥檚 Expression: Communication, Law and Media in Canada, Toronto: LexisNexis. Co-authored with Sheryl N. Hamilton.
2018. . Configurations 26.
2018. Mining, making, and meaning: Building digital literacy skills in an era of big data, In Reseaux Sociaux, Traces Numerique, et Communication Electronique. Eds. S. Zlitni and F. Li茅nard (Le Havre: University of Le Havre).
2016. , Communication +1 (5).
Laura Madokoro – director of the Disaster Lab
2022. 鈥淲hither the refugees? International organisations and 鈥渟olutions鈥 to displacement, 1921-1960,鈥 with Megan Bradley, Merve Edilman and Chritopher Chanco, Refugee Studies Quarterly
2022. 鈥淓urocentrism and the International Refugee Regime鈥 in the Journal of Modern European History.
2021. 鈥溾淥h, Weldon Chan! Where are you hiding?鈥 BC Studies 209.
2020. 鈥溾淣othing to Offer in Return鈥: Refugees, human rights and genocide in Cambodia, 1975-1978,鈥 International Journal 75(2)
2020. 鈥溾淔rom Citizens to Refugees鈥: Japanese Canadians and the Search for Wartime Sanctuary,鈥 Journal of American Ethnic History 39(3)
2019. 鈥淓xclusion by Other Means: Medical Testing and Chinese Migration to Canada, 1947-1967,鈥 Histoire Sociale, Social History 52(105)
2017. Dominion of Race: Rethinking Canada鈥檚 International History. Vancouver, BC: UBC Press. Co-edited with Francine McKenzie and David Meren.
2016. Elusive Refuge: Chinese Migrants in the Cold War. Cambridge, MA: Harvard University Press.
Merlyna Lim –
2020. The politics and perils of dis/connection in the Global South (Crosscurrent: The Limits and Boundaries of Digital Disconnection).鈥Media, Culture & Society.鈥
2020. Algorithmic enclaves: Affective politics and algorithms in the neoliberal social media landscape. In M. Boler & E. Davis (eds.),鈥186-203. New York & London: Routledge.
2019. Disciplining Dissent:Freedom, Control, and Digital Activism in Southeast Asia, in R. Padawangi (ed.)鈥, Routledge, 478-494.鈥
2018. 鈥淩oots, Routes, Routers: Communications and Media of Contemporary Social Movements.鈥 Journalism & Communication Monographs Series, 20(2): 92-136.
2017. 鈥淔reedom to Hate: Social Media, Algorithmic Enclaves, and the Rise of Tribal Nationalism in Indonesia.鈥 Critical Asian Studies, 49 (3): 411-427
Shawn Graham – coordinator of
2020. with Huffer, D., Blackadar, J. Towards a Digital Sensorial Archaeology as an Experiment in Distant Viewing of the Trade in Human Remains on Instagram. Heritage 3, 208-227.
2019. Failing Gloriously and Other Essays Grand Forks. The Digital Press at the University of North Dakota.