The Accidental Academic: Or What Can You Do With a BGS Degree?<\/a>\u201d Ecclectica, <\/i>Brandon University online journal, Fall 2002.<\/p>\nReview article, Acorn Soup: Drawings and Commentary<\/i> by L. Frank (Berkeley: Heyday Books, 1999), in News from Native California<\/i>, Winter 2000\/01, pp. 36\u201338.<\/p>\n
Biographical entries on Bob Haozous, George Littlechild, and Bill Powless in The St. James\u00a0<\/i>Guide to Native North American Artists<\/i>, Detroit: St. James Press, 1997.<\/p>\n
Review article on Indi’n Humor: Bicultural Play in Native America<\/i> by Kenneth Lincoln, Oxford University Press, 1993 in\u00a0Humor: International Journal of Humor Research, Vol.\u00a0<\/i>9, No. 2, 1996.<\/p>\n
\u201cIn profile: Jim Logan,\u201d Native Peoples Magazine<\/i>, Fall\/Winter 1995, p. 96.<\/p>\n
\u201cI Enjoy Being a Mohawk Girl: The Cool and Comic Character of Shelley Niro’s Photography,\u201d\u00a0American Indian Art Magazine,<\/i>\u00a0Vol. 20, No. 1, 1994, pp. 44\u201353.<\/p>\n
\u201cThe Pun in Painting: Jim Logan’s Comic Vision,\u201d Aboriginal Voices,<\/i>\u00a0Vol. 1, No. 4, 1994.<\/p>\n
\u201cGet It?\u201d (Original title: \u201cAt the Heart of Identity: Humour and Irony in Contemporary Canadian Native Art\u201d),\u00a0Crosswinds,<\/i>\u00a0Vol. 5, No. 9, 1993, Santa Fe, New Mexico (broadsheet centrespread).<\/p>\n
\u201cPostmodern Parody: A Political Strategy in Contemporary Canadian Native Art,\u201d Art Journal, <\/i>Vol.\u00a051, No. 3, 1992, pp. 59\u201365.<\/p>\n
\u201cGerald McMaster\u2014Maintaining the Balance,\u201d catalogue essay,\u00a0The cowboy\/Indian Show: Recent Work by Gerald McMaster<\/i>, McMichael Canadian Art Collection, Kleinburg, Ontario, February\u2013April, 1991, pp. 8\u201318, plus excerpts from interview with the artist, pp. 22\u201353.<\/p>\nConference Presentations<\/h4>\n
\u201cInterior Light\/Interior Life: The Luminescent Portraits of Plains Cree Artist George Littlechild\u00a0(Swiftchild Nenekawasis),\u201d 20th<\/sup> Biennial Native American Art Studies Association Conference, Santa Fe, New Mexico, September\u2013October 2015.<\/p>\n\u201cTrickster Discourse in Narrative Chance<\/i>: How Gerald Vizenor Helped Shape my Life in Academia,\u201d International Conference on \u201cNative North American Survivance and Memory: Celebrating Gerald Vizenor,\u201d University of Vienna, June 2014.<\/p>\n
\u201cAllow for the Possibility that this Course Can Change Your Life: Adopting Indigenous pedagogical practices,\u201d Philosophy of Education Conference, George Brown College, Toronto, May 2014.<\/p>\n
\u201cIt\u2019s a Bird, It\u2019s a Plane, It\u2019s Muttonman (and Friends),\u201d 17th<\/sup> Biennial Meeting of the Native American Art Studies Association, Ottawa, October 2011.<\/p>\n\u201cThe Critical Insights of Aboriginal Cartoonists,\u201d contribution to the session \u201cGraphic satire, caricature, and the language in which we draw.\u201d 9th<\/sup> International Conference on Word and Image, International Association of Word and Image Studies, Montreal, August 2011.<\/p>\n\u201cSomething Else Again!: the New Sun Conference on Aboriginal Arts,\u201d 16th<\/sup> Biennial Meeting of the Native American Art Studies Association, Norman, Oklahoma, October 2009.<\/p>\nDiscussant\u2019s remarks, contribution to the session \u201cAlaska Native Visual Arts in the 20th<\/sup> Century,\u201d 107th<\/sup> Annual Meeting of the American Anthropological Association, San Francisco, California, November 2008.<\/p>\nPresentations on the film series\u00a0Visual Voices<\/i>\u00a0to three conferences on the theme “G\u00e9opolitiques des alt\u00e9rit\u00e9s.” Universidade Federal de Goi\u00e1s, Goiania, Brazil; Universidade Federal de Uberl\u00e2ndia, Uberlandia, Brazil, Universidade Federal da Bahia, Salvador, Brazil, September 2008.<\/p>\n
\u201cCinematic Diplomacy: Tracing the Travels of a Canadian Aboriginal Film Festival,\u201d contribution to the session \u201cFirst Nations Diasporas: An Emerging Form of Transnational Citizenship,\u201d Canadian Anthropology Association Conference, Ottawa, May 2008.<\/p>\n
\u201cRiel Benn\u2019s \u2018Best Man\u2019: An Unlikely Inheritor of Iktomi\u2019s Trickster Legacy,\u201d contribution to the session \u201cContemporary Art Practices,\u201d 15th<\/sup> Biennial Meeting of the Native American Art Studies Association, Fairbanks, Alaska, September 2007.<\/p>\n\u201cSubtitled in Mandarin: How NFB Films by Canadian Aboriginal Directors Find a Global\u00a0Audience\u2014the Visual Voices<\/i> Project,\u201d Indigenous Film and Media in an International Context,\u00a0Wilfrid Laurier University, Waterloo, May 2007.<\/p>\n
\u201cCultural Preservation through Personal Reflection: the Powerful Self-Portraits of Canadian Aboriginal Artists.\u201d Also, discussant on Aboriginal cinema in Canada. Canada-China Forums on Aboriginal (Ethnic) Identity: Cultural Preservation; Northwest University for Nationalities, Lanzhou, Gansu Province; Qinghai Nationalities University, Xining, Qinghai Province, China. March 2007. Sponsored by DFAIT Canada.<\/p>\n
\u201cAboriginal Interface: Up Close and Personal,\u201d opening plenary presentation, colloquium on “Violence and Religion: Mimesis, Creativity and Reconciliation.\u201d St. Paul\u2019s University, Ottawa, May 2006.<\/p>\n
\u201c杏吧原创 Face: Interweaving Communities in Native American, First Nations and Inuit Self-Portraits,\u201d 5th<\/sup> Annual New Sun Conference on Aboriginal Arts: Interweaving Communities, 杏吧原创 University, March 2006.<\/p>\n\u201cThe Trickster Shift: Remembering Carl Beam (1942\u20132005),\u201d contribution to the session \u201cTrickster as Social Practice in Native American Art,\u201d Biennial Meeting of the Native American Art Studies Association, Tempe, Arizona, October 2005.<\/p>\n
\u201cCoyote Was Walking Along: Trickster Mischief in Canadian First Nations Art,\u201d Institute for Canadian Studies, University of Upper Silesia, Sosnowiec, Poland, April 2005.<\/p>\n
\u201c杏吧原创 Face: An Exhibition of Native American Self-Portraits,\u201d keynote address for the 25th\u00a0<\/sup>Conference of the American Indian Workshop, Leuven, Belgium, May 2004.<\/p>\n\u201cBeach Blanket Brave: Aboriginal Self-Representation in a Changing World,\u201d contribution to the session \u201cAt the Cutting Edge: Indian Humor and the Politics of Survival,\u201d American\u00a0Anthropological Association, Chicago, November 2003.<\/p>\n
\u201cTalking Pictures: Visualizing Voice in Canadian First Nations Art,\u201d contribution to the session \u201cRead Me: Text and Image in Contemporary Native Art,\u201d Biennial Meeting, Native American Art Studies Association, Salem, Massachusetts, November 2003.<\/p>\n
\u201cBeyond the Pale: Post-Colonial Parallels in Contemporary Canadian and Australian Aboriginal Art,\u201d 12th<\/sup> Biennial Conference of the Native American Art Studies Association, Portland, Oregon, October 2001.<\/p>\n\u201cTrickster Mischief: Subversive Humour in Contemporary Native American Art,\u201d Centennial Lecture, Department of Psychology, Western Washington University, Bellingham, Washington, April 2000.<\/p>\n
\u201cSaving Face\/Changing Face: The Many Self-Portraits of Carl Beam,\u201d 12th<\/sup> Biennial Conference\u00a0of the Native American Art Studies Association, Victoria, British Columbia, October 1999.<\/p>\n\u201cA Tricky Mix: Creating a Book on Humorous Native American Art,\u201d 1999 ISHS International Humor Conference, Oakland, California, June\u2013July, 1999.<\/p>\n
\u201cA Comic Perspective: The Critical Insights of Native American Cartoonists,\u201d Native American Journalists Association Conference, Tempe, Arizona, June 1998.<\/p>\n
\u201cA Comic Perspective: Visual Self-Representation in Aboriginal Print Media,\u201d 11th<\/sup> Biennial Conference of the Native American Art Studies Association, Berkeley, California, October 1997.<\/p>\n\u201cColleen Cutschall\u2019s House Made of Stars<\/i>: Exploring Celestial Connections,\u201d 1997 Plains Indian Seminar, Buffalo Bill Historical Center, Cody, Wyoming, September 1997.<\/p>\n
\u201cCanadian Aboriginal Artists and the Church,\u201d Biennial Conference of Christians in the Visual Arts, Montreal, Quebec, June 1997.<\/p>\n
\u201cThe Comic Vision in Canadian Native Art: More than Meets the Eye,\u201d First Nations Art Forum: First Visions\/Re-Visions, Brandon, Manitoba, April\u2013May 1994.<\/p>\n
\u201cI Enjoy Being a Mohawk Girl: The Cool and Comic Character of Shelley Niro’s Photography,\u201d 9th Biennial Meeting of the Native American Art Studies Association, Santa Fe, New Mexico, November 1993.<\/p>\n
\u201cHumour\/Irony and the Construction of Canadian Native Indian Identity,\u201d College Art Association Annual Conference, Seattle, Washington, February 1993.<\/p>\n
\u201cTrickster Discourse and Contemporary Canadian Native Art,\u201d Annual Meeting, Native Art Studies Association of Canada, Victoria, British Columbia, November 1992.<\/p>\n
\u201cPostmodern Parody: A Political Strategy in Contemporary Canadian Native Art,\u201d Tenth International Humor Congress, Paris, France, July 1992.<\/p>\n
\u201cHumour Irony Politics Praxis: Contemporary Canadian Native Art,\u201d Second International Conference on Humor in Art, Missillac, Brittany, France, July 1992.<\/p>\n
\u201cGerald McMaster and the Evolution of a Playful Perspective,\u201d 8th Biennial Meeting of the Native American Art Studies Association, Sioux Falls, South Dakota, September 1991.<\/p>\n
\u201cAs Sharp as a Feather: The Critical Edge of Contemporary Canadian Native Art,\u201d Ninth International Conference on Humour and Laughter, St. Catharines, Ontario, June 1991.<\/p>\n
\u201cUneasy Laughter: An Exploration of the Critical Use of Humour by Contemporary Canadian Native Artists,\u201d Annual Conference of the Native Art Studies Association of Canada, Montreal, Quebec, October 1990.<\/p>\n
\u201cIrony in the Work of Contemporary Canadian Native Artists,\u201d 12th International Summer Institute for Semiotic and Structural Studies, Toronto, Ontario, June 1990.<\/p>\n
\u201cContemporary Native American Art\u2014The Irony of It All!\u201d 7th Biennial Meeting of the Native American Art Studies Association, Vancouver, B.C., August 1989.<\/p>\n
\u201cIndian Art, How Ironic?\u201d 16th Annual Meeting of the Canadian Anthropology Society, Ottawa, Ontario, May 1989.<\/p>\n
Invited Non-Conference Presentations<\/h4>\n
Untitled presentation on Canadian Indigenous films and culture to attendees at the film festival\u00a0From Our Eyes\u2013Heart of Tribes: Canadian and Chinese Aborigines Movies Exhibition<\/i>, Yunnan University for Nationalities, Kunming, China, August 2016.<\/p>\n
Respondent to keynote address by Dr. Yvonne Donders (University of Amsterdam), at the launch of a Symposium on the Arts and Human Rights, organized by the Human Rights Research and Education Centre, University of Ottawa, June 2015.<\/p>\n
Two lectures on Aboriginal pedagogy, self-portraiture and the art of Haida master, Charles Edenshaw, Art in View program, National Gallery of Canada, April 2014.<\/p>\n
\u201cCultural Preservation through Personal Reflection: The Powerful Self-Portraits of Contemporary Aboriginal Artists,\u201d West End Learning Unlimited, Kanata, February 2013.<\/p>\n
\u201cCoyote Was Walking Along: Trickster Mischief in Native American Art,\u201d Native American Arts Festival, Idyllwild Arts Academy, Idyllwild, California, July 2010.<\/p>\n
\u201cCoyote Was Walking Along: Following the Trickster on a Journey through Academia,\u201d contribution to the series \u201cFull Cycle: A Celebration of UBC Anthropology,\u201d Department of Anthropology, University of British Columbia, Vancouver, March 2010.<\/p>\n
\u201cA Funny Thing Happened on the Way to Recovery: the Healing Power of Humor in First\u00a0Nations and Native American Art,\u201d St. Bonaventure University, St. Bonaventure, New York, November 2008.<\/p>\n
Untitled presentation on Canadian Aboriginal films and culture to faculty and students of Guangxi University for Nationalities, Nanning, Guangxi Province, China, March 2007.<\/p>\n
\u201cContemporary Canadian Aboriginal Aesthetics,\u201d Visiting Speakers Series, Department of\u00a0Visual Arts, University of Western Ontario, London, February 2007.<\/p>\n
\u201cJim Logan: The Classical Aboriginal Series,\u201d contribution to the session “Fine Arts in Canada,” International Council of Canadian Studies (ICCS) Summer Seminar, 杏吧原创 University\/University of Ottawa, 2005, 2006, 2007.<\/p>\n
\u201cProviding a context,\u201d Canadian Studies Alumni Association tour of the exhibition Norval Morrisseau\u2013Shaman Artist<\/em>, National Gallery of Canada, April 2006.<\/p>\n\u201cThe Inter-play of Verbal\/Visual Narratives in Contemporary Aboriginal Art,\u201d Queen\u2019s\/杏吧原创 Art History Faculty Colloquium, Queen\u2019s University, January 2006.<\/p>\n
\u201cTracing Raven\/Chasing Coyote: Trickster Play in Contemporary Indigenous Art,\u201d Museum of Art and Design, New York, December 2005.<\/p>\n
“Remembering Carl Beam,” opening of memorial exhibition of work by Ojibway artist Carl Beam, from the permanent collection, National Gallery of Canada, November 2005.<\/p>\n
Curator\u2019s remarks, opening of the exhibition\u00a0杏吧原创 Face: Native American, First Nations and Inuit Self-Portraits,\u00a0<\/i>Wheelwright Museum of the American Indian, Santa Fe, New Mexico, November 2005.<\/p>\n
\u201cCross-Currents in Aboriginal Art and Literature,\u201d Institut f\u00fcr Anglslistik\/Amerikanistik, University of Greiswald, Germany, May 2005.<\/p>\n
\u201cContemporary Aboriginal Arts in Canada,\u201d University of Leiden, Leiden, Netherlands, May 2004.<\/p>\n
\u201cContemporary Canadian Native Arts,\u201d University of Leuven, Leuven, Belgium, May 2004.<\/p>\n
Other Important Forms of Scholarly Productivity<\/h4>\n
Founder and organizer of the Annual New Sun Conference on Aboriginal Arts at 杏吧原创 University, 2002\u20132017. Continuing. 200+ in attendance in 2017.<\/p>\n
Visual Voices II <\/em>(August 2016): At the invitation of the Canadian Consulate in Chongqing, China, and building on my screening of films by Canadian Aboriginal filmmakers on university campuses in China in 2007 (Visual Voices I<\/em>), I collaborated with Howard Adler, 杏吧原创 MA graduate, and co-founder of Ottawa\u2019s Asinabka Film and Media Arts Festival, to co-curate a selection of recent films by Canadian Aboriginal filmmakers that were screened in the festival From Our Eyes\u2013Heart of Tribes: Canadian and Chinese Aborigines Movies Exhibition\u00a0<\/i>at the Yunnan University for Nationalities, Kunming, China, along with films by Taiwanese filmmakers and Chinese filmmakers working in Tibet. Associated lectures and workshops also took place. Future collaborations in both Canada and China are planned.<\/p>\nOrganizer, facilitator\/co-facilitator of four First Nations, Inuit Health Branch Aboriginal Film Festivals: Healing Journeys\u00a0<\/i>(February 2010),\u00a0Identity, community and health<\/i> (January\u2013<\/i>February, 2009);\u00a0Health and Healing in the Aboriginal Community<\/i> (June, 2007); The\u00a0<\/i>Promise of Spring: A Hopeful Season for Health and Wellness<\/i>\u00a0(March 2008), Health Canada, Ottawa.<\/p>\nGraduate Courses Taught at 杏吧原创 University<\/h4>\n
Aboriginal Peoples, Canada and the North, Indigenous and Canadian Studies<\/p>\n
Concepts of Canada, MA core seminar, Indigenous and Canadian Studies<\/p>\n
Interdisciplinarity in Canadian Studies, PhD core seminar, co-coordinator<\/p>\n
Topics in Aboriginal Art, MA seminar, Art History<\/p>\n
Art History MA core seminar, team taught<\/p>\n
Undergraduate Courses Taught at 杏吧原创 University<\/h4>\n
Issues in Canadian Aboriginal Cinema (4th-year seminar, Indigenous and Canadian Studies)<\/p>\n
Topics in Contemporary Aboriginal Art (4th-year seminar, Art History, varying themes)<\/p>\n
Art of the First Peoples (2nd-year survey, Art History, two sections)<\/p>\n
Framing Aboriginal Issues (2nd-year, Indigenous and Canadian Studies)<\/p>\n
Indigenous Representation in Contemporary Canada (3rd-year, Indigenous and Canadian Studies)<\/p>\n
Doctoral Supervision\u2014PhD Theses<\/h4>\n
Jonathan Dewar, \u201cDance with us as you can<\/i>\u2026: Art, Artist, and Witness(ing) in Canada\u2019s Truth and Reconciliation Journey,\u201d Indigenous and Canadian Studies, 杏吧原创 University, Ottawa, Ontario, 2017.<\/p>\n
Laurie Dalton, \u201cCanada at Expo 2005: Nation, Audience, and the Branded Display Complex,\u201d Indigenous and Canadian Studies, 杏吧原创 University, Ottawa, Ontario, 2013.<\/p>\n
Molly Blyth, \u201cTricky Stories are the Cure: Contemporary Indigenous Writing in Canada,\u201d PhD Canadian Studies, Trent University, Peterborough, Ontario, 2009.<\/p>\n
Doctoral Co-supervision\u2014PhD Theses<\/h4>\n
(with Wallace Clement, Political Economy)
\nRodney Nelson, \u201cRethinking Economic Strategies for First Nations in Canada:\u00a0Incorporating Traditional Knowledge into Governance Practices,\u201d 2016.<\/p>\n
MA Thesis and Major Research Essay Supervision<\/h4>\n
Rebekah Elkerton, \u201cReconstructing Indigenous Womanhood in Theory and Practice: Conceptualizing the Artwork of Meryl McMaster,\u201d Major Research Essay, Women and Gender Studies, 杏吧原创 University, Ottawa, Ontario, 2017.<\/p>\n
Anna Paluch, \u201cBeats on the Streets: Decolonization in Urban Art Spaces,\u201d Major Research Essay, Art History, 杏吧原创 University, Ottawa, Ontario, 2016.<\/p>\n
Jane Horner, \u201cRevolving Sequential: Concepts of Time in the Art of Carl Beam (1943-2005),\u201d Thesis, Art History, 杏吧原创 University, Ottawa, Ontario, 2012.<\/p>\n
Alisdair MacRae, \u201cJoane Cardinal-Schubert: Aboriginal Woman Artist,\u201d Thesis, Art History, 杏吧原创 University, Ottawa, Ontario, 2012.<\/p>\n
Maani Dorothy Meness, \u201cAnishinabekweg Anokiwin (Aboriginal Women\u2019s Work),\u201d Major Research Essay, Indigenous and Canadian Studies, 杏吧原创 University, Ottawa, Ontario, 2011.<\/p>\n
Johnny El-Alam, \u201cRepresenting National Traumas: Alternative Histories, Experimental Art Practices and Narratives by Transnational Artists from the Lebanese War Generation,\u201d Thesis, Art History, 杏吧原创 University, Ottawa, Ontario, 2010.<\/p>\n
Erin Strachan, \u201cListen, Laugh and Learn: Humour\u2019s Disarming Role in Aboriginal Pedagogy,\u201d Major Research Essay, Indigenous and Canadian Studies, 杏吧原创 University, Ottawa, Ontario, 2010.<\/p>\n
Mallory Whiteduck, \u201c\u2018But it\u2019s our<\/i> story. Read it.\u2019: Stories My Grandfather Told Me and Writing for Continuance,\u201d Major Research Essay, Indigenous and Canadian Studies, 杏吧原创 University, Ottawa, Ontario, 2010.<\/p>\n
Victoria Tenasco, \u201cDebwewin (Truth): A Contribution to Indigenous Scholarship,\u201d Major Research Essay, Indigenous and Canadian Studies, 杏吧原创 University, Ottawa, Ontario, 2010.<\/p>\n
Johanna Foot, \u201cEskimo Chicks and Word Warriors: Creative Cultural Space in the Work of Elisapie Isaac and Taqralik Partridge,\u201d Major Research Essay, Indigenous and Canadian Studies, 杏吧原创 University, Ottawa, Ontario, 2008.<\/p>\n
Annie Turner, \u201cDelicious Resistance, Sweet Persistence: First Nations Culinary Arts in Canada,\u201d Thesis, Indigenous and Canadian Studies, 杏吧原创 University, Ottawa, Ontario, 2006.<\/p>\n
David Promane, \u201cChanging Technology and the Rise of the Canadian Rock Recording Industry,\u201d\u00a0 Thesis, Indigenous and Canadian Studies, 杏吧原创 University, Ottawa, Ontario, 2006.<\/p>\n
Lana Whiskeyjack, \u201cNavigating by our Grandmothers: Reading Contemporary Native Women\u2019s Art,\u201d Major Research Essay, Indigenous and Canadian Studies, 杏吧原创 University, Ottawa, Ontario, 2006.<\/p>\n
Maike Worringer, \u201cCrossing the Divide: Indigenous Rights and Self-Determination for Canadian First Nations and Fenno-Scandinavian S\u00e1mi,\u201d Major Research Essay, Indigenous and Canadian Studies, 杏吧原创 University, Ottawa, Ontario, 2006.<\/p>\n
Larry McDermott, \u201cKnowing the Past\u2014Building the Future: Self-determination by Aboriginal peoples who are not formally recognized by Canadian legislation or treaties,\u201d Major Research Essay, Indigenous and Canadian Studies, 杏吧原创 University, Ottawa, Ontario, 2005.<\/p>\n
Margaret Imrie, \u201cAn Examination of the Evolution and Globalization of Aurora College and the Northwest Territories,\u201d Major Research Essay, Indigenous and Canadian Studies, 杏吧原创 University, Ottawa, Ontario, 2005.<\/p>\n
Sarah Hurford, \u201cAn Inter-disciplinary Examination of the Availability of Information Relating to residential School Attendance at the Library and Archives of Canada,\u201d Major Research Essay, Indigenous and Canadian Studies, 杏吧原创 University, Ottawa, Ontario, 2005.<\/p>\n
Carol Hodgson, \u201cStealing in by the window: Ojibway-Government Relations in the Quetico,\u201d Thesis, Indigenous and Canadian Studies, 杏吧原创 University, Ottawa, Ontario, 2003.<\/p>\n
MA thesis co-supervision<\/h4>\n
(with Thomas Garvey, School of Industrial Design)
\nSylvain D\u00e9spr\u00e9s, \u201cGrounding codesign in a culturally appropriate landscape: Learning from Indigenous ways of knowing, being and doing through conversation,\u201d Master of Design thesis, School of Industrial Design, 杏吧原创 University, Ottawa, Ontario, 2016.<\/p>\n
(with Peter Hodgins, Indigenous and Canadian Studies)
\nAshley Sisco, \u201cBecoming a Qallunologist: One Qallunaa\u2019s Journey Remembering Marble Island,\u201d Thesis, Indigenous and Canadian Studies, 杏吧原创 University, Ottawa, Ontario, 2009.<\/p>\n
(with Andrea Laforet, Canadian Museum of Civilization)
\nKaitlin McCormick, \u201cNeither One, Nor the \u2018Other\u2019\u201d: The Unique Oeuvre of Freddie Alexcee,\u201d\u00a0Thesis, Art History, 杏吧原创 University, Ottawa, Ontario, 2010.<\/p>\n
(with Clealls\/John Medicine Horse Kelly, Journalism)
\nBarbara Halsig, \u201cThe Role and Challenges for Aboriginal Newspapers as Participants in Native Language Revival Strategies,\u201d Major Research Essay, Indigenous and Canadian Studies, 杏吧原创 University, Ottawa, Ontario, 2006.<\/p>\n
(with Ming Tiampo, Art History)
\nCrystal Parsons, \u201cThe Museum, Gallery and Other Institutions in Contemporary Canadian First Nations Art,\u201d Thesis, Art History, 杏吧原创 University, Ottawa, Ontario, 2006.<\/p>\n
(with Ming Tiampo, Art History)
\nCarla Taunton, \u201cLori Blondeau: High-Tech Storytelling for Social Change,\u201d Thesis, Art History, 杏吧原创 University, Ottawa, Ontario, 2006.<\/p>\n
MA Major Research Essay Co-supervision<\/h4>\n
(with Marie-Odile Junger)
\nMonique Manatch, \u201cDigital Technology in Indigenous Culture,\u201d Indigenous and
\nCanadian Studies, 2017<\/p>\n
(with Sean Darcy)
\nAllister Morrison, \u201cTranscending Bureaucracy: An Exploration of Indigenous
\nPerspectives within Aboriginal Affairs and Northern Development Canada (AANDC),\u201d
\nIndigenous and Canadian Studies, 杏吧原创 University, Ottawa, Ontario, 2015.<\/p>\n
(with Patricia Reynolds)
\nAmy Champagne, \u201cIndigenous Pedagogy in Formal Education: Effects on the Learning
\nExperience,\u201d Indigenous and Canadian Studies, 杏吧原创 University, Ottawa, Ontario,
\n2013.<\/p>\n
PhD Thesis Committee Member<\/h4>\n
Johnny Alam, \u201cMaking or Breaking Nations. Travelling Memory in Contemporary Art and
\nPhotography: History, Commemoration, Nostalgia, and Humanitarian interventions.\u201d
\nCultural Mediations, 杏吧原创 University, 2017<\/p>\n
Cheryl Matthew, \u201cThe Indigenous Experience and Cultural Renewal, Decolonization and
\nTransformation in the Ottawa Area.\u201d Anthropology, 杏吧原创 University, 2017<\/p>\n
India Rael Young, \u201cCultural imPRINT: A History of Northwest Coast Native and First
\nNations Prints,\u201d Department of Art and Art History, University of New Mexico, 2017<\/p>\n
Carolyn Butler Palmer, \u201cI Won\u2019t Play Primitive to Your Modern: The Art of David Neel,\u201d
\nArt History, University of Pittsburgh, 2006<\/p>\n
PhD Thesis Co-supervision (current)<\/h4>\n
(with Kim Matheson)
\nSheila Grantham, \u201cListening to Their Stories, Metis Post-Secondary Student
\nExperiences,\u201d Indigenous and Canadian Studies, 杏吧原创 University, expected
\ncompletion, Fall 2018.<\/p>\n","protected":false},"excerpt":{"rendered":"
March 2018 Education Ph.D. Anthropology (1995) University of British Columbia, Vancouver, BC M.A. Anthropology\/Museum Studies (1977) University of Arizona, Tucson, Arizona B.G.S. (Bachelor of General Studies) Native Studies\/Anthropology (1975) Brandon University, Brandon, Manitoba AOCA (Associate of the Ontario College of Art)\u00a0Diploma in Advertising Design (1967) Ontario College of Art, Toronto, Ontario Current Research Interests Contemporary […]<\/p>\n","protected":false},"author":6,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","_mi_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":"","_links_to":"","_links_to_target":""},"yoast_head":"\n
Curriculum Vitae - Trickstershift<\/title>\n<meta name=\"description\" content=\"March 2018 Education Ph.D. Anthropology (1995) University of British Columbia, Vancouver, BC M.A. Anthropology\/Museum Studies (1977) University of\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/carleton.ca\/trickstershift\/c-v\/\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"17 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/carleton.ca\/trickstershift\/c-v\/\",\"url\":\"https:\/\/carleton.ca\/trickstershift\/c-v\/\",\"name\":\"Curriculum Vitae - Trickstershift\",\"isPartOf\":{\"@id\":\"https:\/\/carleton.ca\/trickstershift\/#website\"},\"datePublished\":\"2014-10-31T16:23:09+00:00\",\"dateModified\":\"2018-03-28T19:41:47+00:00\",\"description\":\"March 2018 Education Ph.D. Anthropology (1995) University of British Columbia, Vancouver, BC M.A. Anthropology\/Museum Studies (1977) University of\",\"breadcrumb\":{\"@id\":\"https:\/\/carleton.ca\/trickstershift\/c-v\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/carleton.ca\/trickstershift\/c-v\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/carleton.ca\/trickstershift\/c-v\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/carleton.ca\/trickstershift\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Curriculum Vitae\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/carleton.ca\/trickstershift\/#website\",\"url\":\"https:\/\/carleton.ca\/trickstershift\/\",\"name\":\"Trickstershift\",\"description\":\"杏吧原创 University\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/carleton.ca\/trickstershift\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Curriculum Vitae - Trickstershift","description":"March 2018 Education Ph.D. Anthropology (1995) University of British Columbia, Vancouver, BC M.A. Anthropology\/Museum Studies (1977) University of","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/carleton.ca\/trickstershift\/c-v\/","twitter_misc":{"Est. reading time":"17 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/carleton.ca\/trickstershift\/c-v\/","url":"https:\/\/carleton.ca\/trickstershift\/c-v\/","name":"Curriculum Vitae - Trickstershift","isPartOf":{"@id":"https:\/\/carleton.ca\/trickstershift\/#website"},"datePublished":"2014-10-31T16:23:09+00:00","dateModified":"2018-03-28T19:41:47+00:00","description":"March 2018 Education Ph.D. Anthropology (1995) University of British Columbia, Vancouver, BC M.A. Anthropology\/Museum Studies (1977) University of","breadcrumb":{"@id":"https:\/\/carleton.ca\/trickstershift\/c-v\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/carleton.ca\/trickstershift\/c-v\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/carleton.ca\/trickstershift\/c-v\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/carleton.ca\/trickstershift\/"},{"@type":"ListItem","position":2,"name":"Curriculum Vitae"}]},{"@type":"WebSite","@id":"https:\/\/carleton.ca\/trickstershift\/#website","url":"https:\/\/carleton.ca\/trickstershift\/","name":"Trickstershift","description":"杏吧原创 University","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/carleton.ca\/trickstershift\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-US"}]}},"acf":{"banner_image_type":"none"},"_links":{"self":[{"href":"https:\/\/carleton.ca\/trickstershift\/wp-json\/wp\/v2\/pages\/44"}],"collection":[{"href":"https:\/\/carleton.ca\/trickstershift\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/carleton.ca\/trickstershift\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/carleton.ca\/trickstershift\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/carleton.ca\/trickstershift\/wp-json\/wp\/v2\/comments?post=44"}],"version-history":[{"count":5,"href":"https:\/\/carleton.ca\/trickstershift\/wp-json\/wp\/v2\/pages\/44\/revisions"}],"predecessor-version":[{"id":2776,"href":"https:\/\/carleton.ca\/trickstershift\/wp-json\/wp\/v2\/pages\/44\/revisions\/2776"}],"wp:attachment":[{"href":"https:\/\/carleton.ca\/trickstershift\/wp-json\/wp\/v2\/media?parent=44"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
![\"\"](\"https:\/\/carleton.ca\/trickstershift\/wp-content\/uploads\/Allan-and-Gerald-NM-2006-240x268.jpg\")
<\/p>\n![\"\"](\"https:\/\/carleton.ca\/trickstershift\/wp-content\/uploads\/bookcover.gif\")
<\/p>\n![\"\"](\"https:\/\/carleton.ca\/trickstershift\/wp-content\/uploads\/ar-book02.jpg\")
![\"\"](\"https:\/\/carleton.ca\/trickstershift\/wp-content\/uploads\/ar-book03-1.jpg\")
![\"\"](\"https:\/\/carleton.ca\/trickstershift\/wp-content\/uploads\/ar-book04.jpg\")
![\"\"](\"https:\/\/carleton.ca\/trickstershift\/wp-content\/uploads\/ar-book05.jpg\")
![\"\"](\"https:\/\/carleton.ca\/trickstershift\/wp-content\/uploads\/ar-book06.jpg\")
![\"\"](\"https:\/\/carleton.ca\/trickstershift\/wp-content\/uploads\/ar-book07.jpg\")
<\/p>\n![\"\"](\"https:\/\/carleton.ca\/trickstershift\/wp-content\/uploads\/ar-book08.jpg\")
![\"\"](\"https:\/\/carleton.ca\/trickstershift\/wp-content\/uploads\/ar-book09.jpg\")
![\"\"](\"https:\/\/carleton.ca\/trickstershift\/wp-content\/uploads\/ar-book10.jpg\")