1.0Department of History/historycuthemeedtr5/history/author/cuthemeedtr5/rich600338<blockquote class="wp-embedded-content" data-secret="YR04pA0bbh"><a href="/history/people/andrew-horrall/">Andrew Horrall</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="/history/people/andrew-horrall/embed/#?secret=YR04pA0bbh" width="600" height="338" title="“Andrew Horrall” — Department of History" data-secret="YR04pA0bbh" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=/history/wp-includes/js/wp-embed.min.js /* ]]> */ </script> Andrew Horrall is senior archivist at Library and Archives Canada and an historian of nineteenth and twentieth century British popular culture. He is currently researching the globalisation of British popular culture from 1850-1920, and working on the influence of British comedy in the 1960s. Select Publications: Inventing the Cave Man: From Darwin to the Flintstones (Manchester: Manchester […]