{"id":882,"date":"2015-03-09T17:40:41","date_gmt":"2015-03-09T21:40:41","guid":{"rendered":"http:\/\/carleton.ca\/heritage-conservation-symposium\/?page_id=882"},"modified":"2015-11-03T13:04:05","modified_gmt":"2015-11-03T18:04:05","slug":"previous-editions-participant-information-2015","status":"publish","type":"page","link":"https:\/\/carleton.ca\/heritage-conservation-symposium\/previous-editions-participant-information-2015\/","title":{"rendered":"2015 Participant Information"},"content":{"rendered":"

Interested in learning more about our 2015 line-up of participants?
\nCheck out their bios below:<\/h2>\n

Ali Piwowar<\/strong> – Prairie ArchiCulture: Adaptive Reuse of Wooden Crib Grain Elevators in Saskatchewan<\/em><\/h4>\n

Ali Piwowar is in her second and final year of the professional Master of Architecture program at the Azrieli School of Architecture and Urbanism, 杏吧原创 University in Ottawa. She completed her Bachelor of Architectural Studies degree at 杏吧原创 in 2013.<\/p>\n

Ali has spent the past three summers as a researcher at 杏吧原创 Immersive Media Studio (CIMS) working on the Cultural Diversity and Material Imagination in Canadian Architecture (CDMICA) project and the Parliamentary Precinct: West Block Rehabilitation project under the direction of Dr. Stephen Fai. She was also awarded a Heritage Canada, The National Trust, Young Canada Works grant as a researcher at CIMS.<\/p>\n

In partial fulfillment of the requirements for the MArch degree, Ali\u2019s thesis research focuses on the tangible and intangible cultural heritage of the wooden grain elevators in Saskatchewan\u2014her home province. Ali presented her research at Heritage Saskatchewan\u2019s 2015 Forum this past February.<\/p>\n

—<\/p>\n

Karen Prytula –\u00a0Heritage Has Left the Building<\/em><\/h4>\n

Karen Prytula is the author of her self-published book \u201cThe Journals of John Allen Snow\u201d. Because of her passion for local history she writes the newsletter for the \u201cOld Walls Society\u201d and is the Director of Communications for the Lanark County Genealogy Society. She has co-authored chapters in an upcoming book called \u201cAt Home in Tay Valley\u201d. She has another book of the same genre due out at the end of the year; \u201cCaptain in the County\u201d. Karen sits on the Tay Valley Township 200th<\/sup> Anniversary Working Group, and is part of the Legacy Trees Committee. She is also the Heritage Keeper for Goulbourn Township which is part of rural Ottawa, and has several other projects of a historical nature in different stages of completion.<\/p>\n

—<\/p>\n

Chris Uchiyama –\u00a0Heritage Hoarders? Archaeological Cultural Heritage Resources in Ontario<\/em><\/h4>\n

Chris Uchiyama, M.A. is a Heritage Consultant and Licenced Professional Archaeologist with more than a decade of experience working on cultural heritage aspects of planning and development projects. Chris holds a B.A. in Archaeology from Wilfrid Laurier University and is a graduate of the Heritage Conservation Graduate Studies Programme at the School of Canadian Studies, 杏吧原创 University. Her thesis examined the practice of cultural heritage impact assessment and related policy and legislative frameworks across Canada. Chris owns and operates her consulting company, Chris Uchiyama Heritage, in Ottawa.<\/p>\n

—<\/p>\n

Glenn Patterson –\u00a0<\/strong>Re<\/strong>imagining the Community Sound Archive:\u00a0<\/em><\/strong>Cultural Memory and the Case for \u201cSlow\u201d Archiving\u00a0<\/em><\/strong>on the Gasp\u00e9 Coast<\/em>\u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/strong><\/h4>\n

From Montreal, Glenn Patterson is a 3rd<\/sup> year PhD student in ethnomusicology at Memorial University. His undergraduate and master\u2019s degrees are in applied mathematics and electrical engineering. A guitarist, old-time fiddler and banjoist, he co-founded a blog on old-time fiddle music from the Gasp\u00e9 Coast with a fellow-musician in 2010. He has worked on several community-based projects to promote Gasp\u00e9\u2019s musical culture, particularly among it anglophone minority communities. These include yearly participation in the Douglastown Irish Week; as a producer for an audio-documentary for the Quebec Anglophone Heritage Network; and as a co-producer with Laura Risk and the Douglas Community Centre on the CD Douglastown: Music and Song from the Gasp\u00e9 Coast <\/em>which was awarded Quebec\u2019s Prix Mn\u00e9mo <\/em>for projects deemed remarkable in the domain of research of traditional music in Quebec. His research explores themes of cultural memory, proactive archiving, and collaborative research epistemologies for social action.<\/p>\n

—<\/p>\n

Tina Chu – T<\/em>he Suburbs as Transitional Space:\u00a0<\/em><\/strong>Mapping Edge City Heritage through Contemporary Art<\/em><\/strong><\/h4>\n

Tina Chu, Engagement Officer at the Art Gallery of Mississauga, is energized by distinct
\nand meaningful partnerships that integrate the arts into existing initiatives in unexpected and
\nenriching ways. She possesses a broad professional history of working with diverse peoples
\nin various settings including McMaster University\u2019s Arts Matter and Artists Anonymous, The
\nPrint Studio, Art Gallery of Hamilton, Hamilton Youth Arts Network, and Gallery 1313.
\nChu graduated from McMaster University (2008) with Combined Honours in Linguistics and
\nCultural Studies Critical Theory.<\/p>\n

—<\/p>\n

Amanda Sherrington –\u00a0Industrial Heritage in Northern Ontario: Case Study of the Controversial Inco Superstack<\/strong><\/em><\/h4>\n

I am completing my M.Sc. in Conservation of Monuments & Sites at the Raymond Lemaire International Centre for Conservation (KU Leuven, Belgium).\u00a0 In the context of my independent thesis research within my second year of study at the RLICC, my current studies aim to identify the effectiveness of the City of Barrie\u2019s (Ontario, Canada) planning policies in determining and evaluating the impacts of intensification on the city\u2019s heritage.\u00a0 I previously completed my B.A. (Hons) at 杏吧原创 University (Ottawa, Canada) in the program of History & Theory of Architecture.<\/p>\n

—<\/p>\n

Sarah Gelbard –\u00a0Marginal Vernaculars and Place-Making Tactics<\/strong><\/em><\/h4>\n

Sarah Gelbard is an urban and architectural scholar, critic, and designer. She is currently pursuing a PhD at McGill\u2019s School of Urban Planning with a primary research interest is in alternative place-making practices, traditions, and tactics. Her historical-theoretical approach draws from feminist and critical-radical theory and applies it to readings of socio-cultural appropriation and occupation of space. She is a graduate of 杏吧原创\u2019s Azrieli School of Architecture and Urbanism where she completed her Master\u2019s thesis on the dwellings of the Jewish Diaspora. Sarah is also co-director of yowLAB, a partner and designer at Impromptu Playground, and a regular contributor to the Centretown Buzz and Spacing Ottawa. Recent work include Brutal Heritage (Centretown Buzz), Set the Stage (Awesome Ottawa), Practice Space (TEDxElginSt), Dynamic Maze (ElectricFields\/Nuit Blanche), and Park(ing) Day.<\/p>\n

Twitter: @sbg_arch<\/p>\n

Web: gelbard.ca<\/p>\n

—<\/p>\n

Desir\u00e9e Valadares –\u00a0Rebuilding Identity: Architecture as Evidence in Forillon National Park<\/i><\/h4>\n

Desir\u00e9e Valadares was trained as a landscape architect at the University of Guelph, the University of Edinburgh and the Rotterdamse Academie van Bouwkunst. She is currently based in Montreal and is completing a Post-Professional Masters degree in Urban Design and Housing at McGill University.<\/p>\n

Desir\u00e9e is interested in studying the social acceptability and ethical responsibility of the architect with regard to demolition, commemoration, preservation and adaptive reuse in sites of trauma, loss and grief. Previous research projects have considered the social implications of conservation and formal heritage designation on contemporary and former inhabitants of national parks, historic sites, World Heritage Cities and protected sites.<\/p>\n

—<\/p>\n

Allister Morrison –\u00a0Canadian Law as Heritage: Perspectives at Odds over the Protection of Aboriginal Rights<\/b><\/em><\/h4>\n

Allister is a second year Masters student within the Canadian Studies program at 杏吧原创 University and works for Aboriginal Affairs and Northern Development Canada (AANDC) as a land claim researcher. As such, his academic interests include ideas around Indigenous and non-Indigenous conceptualizations of land, Aboriginal law in relation to Aboriginal rights and title, Indigenous identities within Western institutions and decolonizing practices within Western organizations. In his spare time Allister is a singer-song writer, volunteers at the Wabano Aboriginal Health Center and actively supports efforts to educate employees at AANDC about Indigenous cultures and peoples on Turtle Island and their varying concerns.<\/p>\n

—<\/p>\n

Trina Bolam –\u00a0Healing Heritage:<\/em>
\nCommemorating Canada\u2019s Indian Residential School System<\/strong><\/em><\/strong><\/p>\n

Trina Cooper-Bolam is currently a student in 杏吧原创’s Cultural Mediations PhD program. Her research draws on critical historiography and decolonization theory to analyze museological representations of the Indian residential school system. Her MA thesis in Canadian Studies examined Canada\u2019s federal heritage infrastructure in relation to its engagements with the history of Indian residential schools. She is a mature student with\u00a0a decade of professional experience with the Aboriginal Healing and Legacy of Hope Foundations\u2013organizations mandated to transform the legacy of the Indian residential school system.<\/p>\n","protected":false},"excerpt":{"rendered":"

Interested in learning more about our 2015 line-up of participants? Check out their bios below: Ali Piwowar – Prairie ArchiCulture: Adaptive Reuse of Wooden Crib Grain Elevators in Saskatchewan Ali Piwowar is in her second and final year of the professional Master of Architecture program at the Azrieli School of Architecture and Urbanism, 杏吧原创 University […]<\/p>\n","protected":false},"author":10,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"pg-full.php","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","_mi_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":"","_links_to":"","_links_to_target":""},"yoast_head":"\n2015 Participant Information - Heritage Conservation Symposium<\/title>\n<meta name=\"description\" content=\"Interested in learning more about our 2015 line-up of participants? 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