  {"id":4700,"date":"2021-04-19T09:30:40","date_gmt":"2021-04-19T13:30:40","guid":{"rendered":"https:\/\/carleton.ca\/filmstudies\/?p=4700"},"modified":"2025-04-21T10:22:22","modified_gmt":"2025-04-21T14:22:22","slug":"watch-the-trailer-for-prof-horaks-dvd-project-cinemas-first-nasty-women","status":"publish","type":"post","link":"https:\/\/carleton.ca\/filmstudies\/2021\/watch-the-trailer-for-prof-horaks-dvd-project-cinemas-first-nasty-women\/","title":{"rendered":"Watch the Trailer for Prof. Horak\u2019s DVD Project\u2014Cinema\u2019s First Nasty Women"},"content":{"rendered":"\n<section class=\"w-screen px-6 cu-section cu-section--white ml-offset-center md:px-8 lg:px-14\">\n    <div class=\"space-y-6 cu-max-w-child-5xl  md:space-y-10 cu-prose-first-last\">\n\n            <div class=\"cu-textmedia flex flex-col lg:flex-row mx-auto gap-6 md:gap-10 my-6 md:my-12 first:mt-0 max-w-5xl\">\n        <div class=\"justify-start cu-textmedia-content cu-prose-first-last\" style=\"flex: 0 0 100%;\">\n            <header class=\"font-light prose-xl cu-pageheader md:prose-2xl cu-component-updated cu-prose-first-last\">\n                                    <h1 class=\"cu-prose-first-last font-semibold !mt-2 mb-4 md:mb-6 relative after:absolute after:h-px after:bottom-0 after:bg-cu-red after:left-px text-3xl md:text-4xl lg:text-5xl lg:leading-[3.5rem] pb-5 after:w-10 text-cu-black-700 not-prose\">\n                        Watch the Trailer for Prof. Horak\u2019s DVD Project\u2014Cinema\u2019s First Nasty Women\n                    <\/h1>\n                \n                                \n                            <\/header>\n\n                    <\/div>\n\n            <\/div>\n\n    <\/div>\n<\/section>\n\n<p>Through a SSHRC Partnership Development Grant (2020-2023) titled&nbsp;<a title=\"https:\/\/wfpp.columbia.edu\/cinemas-first-nasty-women\/\" href=\"https:\/\/wfpp.columbia.edu\/cinemas-first-nasty-women\/\">Cinema\u2019s First Nasty Women<\/a>, Prof. Laura Horak is embarking on an unprecedented collaboration with eleven film archives across Europe and North America,&nbsp;Kino Lorber,&nbsp;Le Giornate del Cinema Muto, and the&nbsp;Women Film Pioneers Project, to make 98 silent films featuring cross-dressing women and women comedians publicly available for the first time.<\/p>\n\n\n\n<figure class=\"wp-block-embed\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Cinema&#039;s First Nasty Women - Teaser Video (2021)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/dJfUrNj_7k4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Through a SSHRC Partnership Development Grant (2020-2023) titled&nbsp;Cinema\u2019s First Nasty Women, Prof. Laura Horak is embarking on an unprecedented collaboration with eleven film archives across Europe and North America,&nbsp;Kino Lorber,&nbsp;Le Giornate del Cinema Muto, and the&nbsp;Women Film Pioneers Project, to make 98 silent films featuring cross-dressing women and women comedians publicly available for the first [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":4702,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[1],"tags":[],"class_list":["post-4700","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"acf":{"cu_post_thumbnail":""},"_links":{"self":[{"href":"https:\/\/carleton.ca\/filmstudies\/wp-json\/wp\/v2\/posts\/4700","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/carleton.ca\/filmstudies\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/carleton.ca\/filmstudies\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/carleton.ca\/filmstudies\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/carleton.ca\/filmstudies\/wp-json\/wp\/v2\/comments?post=4700"}],"version-history":[{"count":2,"href":"https:\/\/carleton.ca\/filmstudies\/wp-json\/wp\/v2\/posts\/4700\/revisions"}],"predecessor-version":[{"id":4704,"href":"https:\/\/carleton.ca\/filmstudies\/wp-json\/wp\/v2\/posts\/4700\/revisions\/4704"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/carleton.ca\/filmstudies\/wp-json\/wp\/v2\/media\/4702"}],"wp:attachment":[{"href":"https:\/\/carleton.ca\/filmstudies\/wp-json\/wp\/v2\/media?parent=4700"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/carleton.ca\/filmstudies\/wp-json\/wp\/v2\/categories?post=4700"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/carleton.ca\/filmstudies\/wp-json\/wp\/v2\/tags?post=4700"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}