{"version":"1.0","provider_name":"Film Studies","provider_url":"https:\/\/carleton.ca\/filmstudies","author_name":"cuthemeedtr5","author_url":"https:\/\/carleton.ca\/filmstudies\/author\/cuthemeedtr5\/","title":"Video: C\u00e1el M. Keegan 'Bad Trans Objects' - Film Studies","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"cY4gW1Mh4i\"><a href=\"https:\/\/carleton.ca\/filmstudies\/2022\/video-cael-m-keegan-bad-trans-objects\/\">Video: C\u00e1el M. Keegan &#8216;Bad Trans Objects&#8217;<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/carleton.ca\/filmstudies\/2022\/video-cael-m-keegan-bad-trans-objects\/embed\/#?secret=cY4gW1Mh4i\" width=\"600\" height=\"338\" title=\"&#8220;Video: C\u00e1el M. Keegan &#8216;Bad Trans Objects&#8217;&#8221; &#8212; Film Studies\" data-secret=\"cY4gW1Mh4i\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/carleton.ca\/filmstudies\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/carleton.ca\/filmstudies\/wp-content\/uploads\/sites\/76\/tn-News-Video-Keegan.png","thumbnail_width":800,"thumbnail_height":600,"description":"The assumption that more and better images of transgender people are key to achieving transgender equality strains under an emerging contradiction: &nbsp;As the number of \u201cpositive\u201d transgender media objects has increased in the Global North, so too have cultural and legislative hostilities toward transgender people. Arguing that the aesthetics of \u201cgood\u201d trans representation narrow the [&hellip;]"}