1.0Film Studies/filmstudiescuthemeedtr5/filmstudies/author/cuthemeedtr5/rich600338<blockquote class="wp-embedded-content" data-secret="9BtxWzyIlo"><a href="/filmstudies/people/david-richler/">David Richler</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="/filmstudies/people/david-richler/embed/#?secret=9BtxWzyIlo" width="600" height="338" title="“David Richler” — Film Studies" data-secret="9BtxWzyIlo" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=/filmstudies/wp-includes/js/wp-embed.min.js </script> David Richler is a filmmaker and PhD candidate in Cultural Mediations at ÐÓ°ÉÔ­´´ University. He has been teaching in the Film Studies department since 2014, including courses on Chinese cinemas and “The Film Industry.” His doctoral research is concerned with the category of World Cinema and the transnational contexts of film’s global circulation, focusing specifically […]