{"id":23967,"date":"2017-11-14T11:42:20","date_gmt":"2017-11-14T16:42:20","guid":{"rendered":"https:\/\/carleton.ca\/fass\/?p=23892"},"modified":"2024-08-09T07:41:59","modified_gmt":"2024-08-09T11:41:59","slug":"exploring-the-capital-architectural-guide-ottawa","status":"publish","type":"post","link":"https:\/\/carleton.ca\/fass\/2017\/exploring-the-capital-architectural-guide-ottawa\/","title":{"rendered":"The Origins of Exploring the Capital: An Architectural Guide to the City of Ottawa"},"content":{"rendered":"\n
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\n The Origins of Exploring the Capital: An Architectural Guide to the City of Ottawa\n <\/h1>\n \n \n <\/header>\n\n <\/div>\n\n <\/div>\n\n <\/div>\n<\/section>\n\n

by Nick Ward<\/strong>
\nPhotography by Peter Coffman<\/strong><\/p>\n\n\n\n

Parliament Hill, The ByWard market, Centretown, Sandy Hill, Glebe, Old Ottawa South, Alta Vista, New Edinburgh, Rockcliffe Park and Vanier, Rideau Canal, The West End, Hull and the Chaudi\u00e8re, Nepean, and Beyond the Greenbelt\u2026<\/em><\/p>\n\n\n\n

How would you characterize the City of Ottawa?<\/p>\n\n\n\n

Is Ottawa simply a sleepy government town, or is there much more to Canada\u2019s capital city?<\/p>\n\n\n\n

With their new book, Exploring the Capital: An Architectural Guide to the Ottawa Gatineau Region 杏吧原创<\/em><\/a>, writer and 杏吧原创 graduate Andrew Waldron<\/a> (Adjunct Professor \u2014 History and Theory of Architecture<\/a>) and photographer Peter Coffman<\/a> (Associate Professor \u2014 History and Theory of Architecture) present a spirited case for the latter.<\/p>\n\n\n\n

\"The
Book Cover. Exploring the Capital: An Architectural Guide to the Ottawa Gatineau Region 杏吧原创<\/figcaption><\/figure><\/div>\n\n\n\n

The author and photographer<\/a> tell the story of Ottawa through the region\u2019s magnificently diverse architecture and landmarks. In doing so, they weave a wonderfully complex account of Ottawa as a region where heritage coalesces with modern vigour.<\/p>\n\n\n\n

Exploring the Capital <\/em>takes readers through 12 guided tours of Ottawa\u2019s vast green spaces and two fabled rivers, historic government buildings and houses of worship, cultural hubs and unique housing from century-old heritage homes to luxurious, sustainable condominiums. Through the guide\u2019s adept storytelling and breathtaking photography, Waldron and Coffman provide literal roadmaps to a city whose notoriety might actually, and ironically, be obscured by its nuance. Exploring the Capital <\/em>is a visual and verbal account of present day Ottawa which also provides historical context by tracing Ottawa\u2019s character back to its origins, beginning with Queen Victoria\u2019s decision to designate Ottawa as the nation\u2019s capital, and the subsequent decision to opt for a neo-Gothic identity which concurrently embraced modernism and romanticism.<\/p>\n\n\n\n

The rich story of Ottawa was one Coffman and Waldron were itching to tell.<\/p>\n\n\n\n

\u201cEvery city is, of course unique, but I think what makes Ottawa exceptional is that it is a national capital, but still a rather small city with very humble origins,\u201d said Coffman. \u201cOur architecture manifests everything from grand visions of nation-building to a vibrant working-class history. The stories encoded in our built environment span this entire range.\u201d<\/p>\n\n\n\n

One of Waldron\u2019s aspirations with the book was to surprise readers by featuring some of the city\u2019s lesser known beauty. \u201cIf they ask me why a certain unknown place was included, I tell them that even unknown and less prominent places can be valued.\u201d<\/p>\n\n\n\n

A Romantic and Multi-Cultural City<\/h3>\n\n\n\n
\"Professor
Professor Peter Coffman<\/figcaption><\/figure><\/div>\n\n\n\n

\u201cIf there was one aspect of the area that is unique, it\u2019s that it is much more romantic than people assume. Case in point, the Rideau River is still slightly wild and unlike the transportation rivers of other cities. This romanticism expresses itself in the three prehistoric and historic cultural layers\u2014Indigenous, French, English.<\/p>\n\n\n\n

Today, there is the multicultural layer. The city is much less identified by its Colonial past. Consider the presence of a Lebanese community in Ottawa since the early 20th<\/sup>century. How much research is out there on the Lebanese community?\u201d Waldron asks.<\/p>\n\n\n\n

[wide-image image=”23909″ \/]<\/p>\n\n\n\n

\"A
A home in Britannia Village<\/figcaption><\/figure><\/div>\n\n\n\n

Rather than trying to wrangle the story of Ottawa into a singular, sweeping chronicle, Exploring the Capital <\/em>presents the city\u2019s character as comprising several unique identities. \u201cMany voices would be unheard if I suggested there was a grand narrative to the region. The tours are enjoyably diverse to show how complex the region is,\u201d says Waldron.<\/p>\n\n\n\n

By avoiding a panoptic view of Ottawa, the guide does well through its 12 tours to demonstrate the conspicuous layers which Ottawans experience every day. For example, The National Capital Commission\/Jacques Greber dimension of the city, which is essential to Ottawa\u2019s identity, is presented in detail. As are the City Beautiful efforts of the early 20th century, which influenced many of Ottawa\u2019s picturesque landscapes.<\/p>\n\n\n\n

\"Andrew
Adjunct Professor Andrew Waldron<\/figcaption><\/figure><\/div>\n\n\n\n

When asked about their personal relationships with the city, both Waldron and Coffman are quick to passionately describe in detail a myriad of Ottawa spaces and locations, but neither seemed very comfortable when pressed to choose just one or two of favourite locales.<\/p>\n\n\n\n

\u201cIt\u2019s impossible for me to pick one favourite place, but a number made a big impression on me,\u201d says Coffman.<\/p>\n\n\n\n

\u201cI came away from working on the book with a new affection for the beleaguered Sparks Street, where the sunlight plays on an architectural quilt of fantastic variety. The Hart Massey House perches with beautiful delicacy among the trees and above the lake. The Delegation of the Ismaili Imamat is a breathtaking piece of architectural sculpture, inside and out.<\/p>\n\n\n\n

[wide-image image=”23902″ \/]<\/p>\n\n\n\n

\"Delegation
Delegation of the Ismaili Imamat. Sussex Drive.<\/figcaption><\/figure><\/div>\n\n\n\n

\u201cMy \u2018favourite\u2019 varies according to my mood; ask me ten times, and you\u2019ll get ten different answers!\u201d<\/p>\n\n\n\n

Waldron was just as noncommittal as Coffman, but maintains that there are some spaces which he holds particularly dear. \u201cI\u2019m very fond of the Ismaili Centre, which is a very sensitive and special space that emerges from a challenging site. Architecturally, it embraces so many ideas and tendencies of the region.<\/p>\n\n\n\n

Everyone tells me they love the building after they have visited it. There are also many modernist churches that are often underappreciated, mainly because church goers only attend their own denomination\u2019s church and rarely visit other churches\u2014and, of course, fewer people are worshipping in organized religion.<\/p>\n\n\n\n

But, of course, there are so many favourites,\u201d Waldron continues. \u201cThe original design of the National Arts Centre, some of the works of Jim Strutt, and the former Federal Study Centre on Heron Road have some fascinating spaces. I think I like every building in some way.\u201d<\/p>\n\n\n\n

One of the many superb functions of Exploring the Capital is that it provides readers with insight on some of Ottawa\u2019s hidden gems. \u201cThere are so many,\u201d says Coffman. \u201cWe tend to think of Gatineau as a place of tall government office blocks, but it has a marvellous historic core. Briarcliffe has an amazing group of architect designed modern houses set in what amounts to a forest. Britannia Village is a place that seems to belong to a distant rural area, but is contained within the capital city. Sullivan House and Strutt House are modest, but exquisite homes that two very accomplished architects\u2014the former a student of Frank Lloyd Wright\u2014 designed for themselves. Ottawa is full of secrets that I hope will be less well-kept thanks to the book.\u201d<\/p>\n\n\n\n

Waldron continues Coffman\u2019s train of thought: \u201cI suppose some places are overlooked, such as Garden of the Provinces and Territories, which is one of my favourites. The Rockeries in Rockcliffe Park is often unnoticed\u2014there are vestiges of Ottawa\u2019s Carnegie Library there. The Rockcliffe Park Pavilion is a good spot too that is not well known.\u201d<\/p>\n\n\n\n

\"\"
Canal Pedestrian Bridge<\/figcaption><\/figure><\/div>\n\n\n\n

Waldron says that he hopes Exploring the Capital provides readers with the scaffolding to understand Ottawa\u2019s architectural culture, but also encourages discussion beyond the book by equipping readers with the knowledge to both appreciate the beauty and dynamism of Canada\u2019s capital city and to think critically about Ottawa\u2019s heritage and future.<\/p>\n\n\n\n

\u201cThe idea of the book is to be foundational. Essentially, a beginning for others to bring more developed narratives to our identities. For example, there are touchstones to the Indigenous presence, but there could be more. We must think about that.\u201d<\/p>\n\n\n\n

The Origins of Exploring the Capital: An Architectural Guide to the Ottawa Gatineau Region<\/h3>\n\n\n\n

Waldron decided to take on this project after re-reading prominent heritage conservationist, Harold Kalman\u2019s popular 1983 architectural guidebook, Exploring Ottawa. The city has, of course, evolved over the last 35 years, and so Waldron, a Guelph Alumnus and celebrated twenty-year veteran in the field of culture related to heritage and history, called Coffman with a proposal to help create a modernized incarnation of Kalman\u2019s classic architectural guide.<\/p>\n\n\n\n

\u201cHe thought that the new book should have all new photographs and wondered if I would be interested in doing them,\u201d says Coffman. \u201cThis book was very much Andrew\u2019s baby, in that he originated it and is the author. He did the research and hired one of our recent grads, Leanne Gaudet, to help with that.\u201d<\/p>\n\n\n\n

\"The
The Hart Massey House, Rockcliffe Park<\/figcaption><\/figure><\/div>\n\n\n\n

Waldron immediately knew that he would ask Coffman to collaborate on the project. \u201cPeter has astoundingly impressive photographic skills. I had seen his work on churches and knew that a new publication would require a very talented photographer to create an attractive book.\u201d<\/p>\n\n\n\n

It is safe to say that at the time time, Coffman didn\u2019t quite realize what he was getting himself into. Reality hit when Waldron relayed a list of more than 400 names and addresses of the buildings to be photographed. \u201cThe list was \u2026 long,\u201d says Coffman, \u201cbut there wasn\u2019t much negotiation between us over the content. It was extremely well-chosen, and I didn\u2019t have much to add or subtract.\u201d<\/p>\n\n\n\n

Coffman and Waldron met back in the early aughts through the Society for the Study of Architecture in Canada when Waldron was vice-president of the Society. As their comradeship evolved, so too did their roles at the Society\u2014 Waldron would go on to become its president, a title he would eventually pass to Coffman.<\/p>\n\n\n\n

[wide-image image=”23903″ \/]<\/p>\n\n\n\n

\"Old
Old Ottawa City Hall. Sussex Drive.<\/figcaption><\/figure><\/div>\n\n\n\n

While Waldron has been an Ottawa resident since 1995, Coffman is still relatively new to the city, and due to the demanding nature of his academic role, he hadn\u2019t had the opportunity to explore the city to the degree he\u2019d like. The exhaustive nature of the list, his collaboration on Exploring the Capital<\/em>offered Coffman the opportunity to investigate Ottawa in the detailed way he had intended for years.<\/p>\n\n\n\n

\u201cI just rolled up my sleeves and got to work until I had a checkmark beside every building on the list. It took about four years; it is the biggest photographic project I\u2019ve ever taken on.\u201d<\/p>\n\n\n\n

\u201cThe logistics were tough, and I quickly realized that the meticulous planning required was going to sink me. To prevent this, I brought my wife, Diane Laundy, on board.\u201d Laundy is a professional event planner, so her strengths correspond very neatly with what Coffman describes as his weaknesses. Laundy is also an accomplished photographer who has exhibited her work several times, she knows what Coffman is looking for in terms of lighting conditions and so on.<\/p>\n\n\n\n

\u201cDiane went through the spreadsheet and organized it into a series of day or half day outings according to geographical convenience and building orientation relative to sun position. The result was a shooting list that maximized efficiency and likelihood of getting optimal light. It almost sounds like planning a election campaign, but the sheer volume of work, done on top of a very demanding day job, required a very methodical approach.\u201d<\/p>\n\n\n\n

On the appointed shooting days, Coffman and Laundy would head out according to Laundy\u2019s itinerary. With all the planning done, Coffman could concentrate on what each building needed for the final image.<\/p>\n\n\n\n

\u201cWe became a ruthlessly efficient shooting machine, which is what you need to complete a project of this scale,\u201d he says.<\/p>\n\n\n\n

\u201cIn retrospect, had I been canny enough to work out how much time this would consume, I would probably have turned it down, but luckily I wasn\u2019t and so began my incredible personal journey of doing just what the title says\u2014exploring the capital.\u201d<\/p>\n\n\n\n

Coffman\u2019s goal in capturing the city through photography was to treat every building as respectfully as possible and try to come up with something like a portrait of each. \u201cJust as I would if they were people,\u201d he explains. \u201cThere are, of course, limits to where you can put a camera and tripod on a busy city street, and often only one side of the building is accessible. But there are still lots of decisions to be made in terms of framing, context, angle of view, and time of day. The word \u2018character\u2019 is used a lot in connection with buildings. It\u2019s a bit of an amorphous and highly subjective term; nevertheless, it was my task to arrive at some sense of that character and evoke it in a photo as well as circumstances would allow.\u201d<\/p>\n\n\n\n

Investigating Ottawa in such great detail might have been a new experience for Coffman, but architectural photography certainly was not. Long before Coffman ever considered pursuing a career in academia, he was an accomplished professional photographer. He worked in a variety of job within the field, including a position at a company that designed building interiors. This meant much of his photography was architectural in nature. Given the requirements of his job, it is perhaps unsurprising that a pre-existing love for buildings began to manifest itself even more intensely within Coffman.<\/p>\n\n\n\n

\"Little
Little Italy. Preston Street.<\/figcaption><\/figure><\/div>\n\n\n\n

Soon he found himself taking photographs of buildings in his spare time and eventually he decided to drop commercial photography altogether to indulge his passion. \u201cI went back to school to study architectural history and ultimately became an architectural historian. But I took my photographic training and experience with me into academia, and they have served me extremely well.\u201d<\/p>\n\n\n\n

As is palpable in Exploring the Capital<\/em>, this fervour hasn\u2019t died down one bit. Coffman\u2019s brought this enthusiasm to 杏吧原创 University<\/a> where he has a reputation as one of the most passionate professors in the Faculty of Arts and Social Sciences. His research focuses on the exploration of cultural and political meanings that have been attached to the Gothic style from the twelfth century to the present day and is the former Supervisor of History and Theory of Architecture (HTA). HTA is described as a program that \u201cexplores the history, meaning and social significance of the built environment, and how it both reflects and shapes human circumstances.\u201d<\/p>\n\n\n\n

He also regularly writes about architectural happenings in the Canadian context via his blog<\/a> and has a variety of photography exhibitions including, Anglicana Tales<\/em>, an exhibition of architectural photography at the Dalhousie Art Gallery (2010), and Camino<\/em>, at ViewPoint Gallery in Halifax (2009). In fact, Coffman is so absorbed by architecture, that even when he takes a break from work, he still prefers to explore. \u201cWhenever I\u2019m not tied to campus I travel and photograph buildings. The ‘vacations\u2019 my wife and I take are, for better or worse, always informed by where there are buildings that I am dying to see and photograph. I use many of these photos for my academic publications and even more of them for my lectures. I still think of myself as a photographer as well as a historian.\u201d<\/p>\n\n\n\n

Waldron and Coffman are kindred souls in the sense that they both live and breathe their field of expertise and both tackle their subject matter by implementing an interdisciplinary approach. As is beautifully demonstrated in Exploring the Capital<\/em>, they also both aspire to affect change towards a renewed or emphasized appreciation for buildings and heritage sites.<\/p>\n\n\n\n

\"Hangar:
Hangar: Canadian Aviation and Space Museum. George Etienne Parkway.<\/figcaption><\/figure><\/div>\n\n\n\n

Waldron began his career in the field of culture, heritage, and history over twenty years ago. Over this time, he has researched, and managed projects intended to understand. and preserve many National Historic Sites and he is always searching for opportunities to connect Canadians with the wealth of cultural history in their country.<\/p>\n\n\n\n

Waldron has done so in long held roles with the Federal Government, including a variety of senior positions at Parks Canada. He now works at Brookfield Global Integrated Solutions, where he has created and implemented a new heritage conservation program for the company. Needless to say, the book\u2019s writer is one of Canada\u2019s pre-eminent voices on architectural heritage and culture.<\/p>\n\n\n\n

As mentioned, the two creators of Exploring the Capital<\/em>also share an affiliation with 杏吧原创 University, and unsurprisingly, they both cherish 杏吧原创\u2019s physical space and possess strong opinions on how the university fits within the greater Ottawa landscape. Waldron explains that 杏吧原创 originated as part of the decentralization push to spread the city further from the core after the Second World War. \u201cThis was already happening with government campuses\u2014Confederation Heights, Tunney\u2019s Pasture, NRC Campus, for example,\u201d he says. \u201c杏吧原创\u2019s planning was actually an impressive applied modern plan in that the concepts may have some precedents in the U.S., but the modern campus between the 19th century engineered canal, and the less tamed river was a perfect frame to build a very rational campus.\u201d<\/p>\n\n\n\n

Coffman also treasures the architectural history and cultural worth of the university.<\/p>\n\n\n\n

\u201c杏吧原创 has some outstanding modern designs as well as significant heritage value. This seems a paradox to many because a lot of people think that heritage must mean very old. But heritage value derives from a place\u2019s ability to encode and communicate the cultural values of its time, and 杏吧原创\u2014especially the earliest surviving buildings, like Paterson Hall\u2014excels at this.<\/p>\n\n\n\n

A building like Paterson Hall exudes confidence and optimism in the idea of modernity, and a crisp, clean sensibility that seems ready to bring a venerable city and its institutions to the cutting edge. The Modernist heritage of Ottawa\u2014or for that matter of Canada\u2014is so often overlooked, and 杏吧原创 is a good example of that.\u201d<\/p>\n\n\n\n

\"Dunton
Dunton Tower & the Tory Building. 杏吧原创 University.<\/figcaption><\/figure><\/div>\n\n\n\n

When asked about 杏吧原创 as a heritage site, Waldron, true to form, vehemently defends its heritage.<\/p>\n\n\n\n

\u201cUnfortunately, the values of the original 杏吧原创 campus are not well appreciated today. This quality goes back to the point that there is a willful ignorance of the past to serve the goals of the future. In a more ethical and responsible world, decisions in the 21st century should be based on the past, present, and future. There are still those who ironically hate the concepts devised 50 years ago, yet apply the very same approaches today!\u201d<\/p>\n\n\n\n

This staunch approach is yet another shared disposition of the guide\u2019s writer and photographer, and they hope the importance of citizen vigilance towards our architectural tradition is a message that the book actively transmits. \u201cWe have a built heritage of exceptional variety and beauty; one that speaks of the textured and nuanced history of this place and the people who made it. But it\u2019s underappreciated and constantly at risk,\u201d says Coffman.<\/p>\n\n\n\n

\u201cAs we\u2019ve seen recently, not even the Ch\u00e2teau Laurier, in the heart of the parliamentary precinct, is safe from mutilation. As a city, we\u2019re under a lot of pressure to develop and intensify, and the people driving that process often don\u2019t care about what they destroy, or the beauty and stories that are lost. Preserving our history and stories will certainly not happen automatically\u2014it\u2019s going to take awareness and effort.\u201d<\/p>\n\n\n\n

\"Chateau
Chateau Laurier.<\/figcaption><\/figure><\/div>\n\n\n\n

Coffman and Waldron encourage Canadians to defend this heritage by doing precisely what the book\u2019s title exhorts. \u201cExplore the city, and experience the many wonderful places it has to offer and the rich history they signify,\u201d says Coffman. \u201cThen be ready to go to bat for it.<\/p>\n\n\n\n

When someone proposes demolition or disfigurement of a property that you think has value, write to your city councillor, attend meetings and lobby your fellow citizens. Refuse to take the annihilation of our history lying down.\u201d Waldron explains that it might mobilize citizens to consider what is at stake by asking them to reflect on the city\u2019s scope. \u201cI think we need to see the region from imagining it after the last glaciation to now. Imagining the region as a place that has evolved from ten thousand years ago to present day. The region has been a place of meeting and culture for millennia.\u201d<\/p>\n\n\n\n

Reading Exploring the Capital: An Architectural Guide<\/em>to the Ottawa-Gatineau Region <\/em>is an excellent way to explore, discover, understand, and better appreciate the beautiful City of Ottawa.<\/p>\n","protected":false},"excerpt":{"rendered":"

by Nick Ward Photography by Peter Coffman Parliament Hill, The ByWard market, Centretown, Sandy Hill, Glebe, Old Ottawa South, Alta Vista, New Edinburgh, Rockcliffe Park and Vanier, Rideau Canal, The West End, Hull and the Chaudi\u00e8re, Nepean, and Beyond the Greenbelt\u2026 How would you characterize the City of Ottawa? Is Ottawa simply a sleepy government […]<\/p>\n","protected":false},"author":2,"featured_media":24080,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[404,50],"tags":[181,166,207],"class_list":["post-23967","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-history-and-theory-of-architecture","category-research-2","tag-architecture","tag-book-launch","tag-ottawa"],"acf":{"cu_post_thumbnail":false},"_links":{"self":[{"href":"https:\/\/carleton.ca\/fass\/wp-json\/wp\/v2\/posts\/23967","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/carleton.ca\/fass\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/carleton.ca\/fass\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/carleton.ca\/fass\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/carleton.ca\/fass\/wp-json\/wp\/v2\/comments?post=23967"}],"version-history":[{"count":3,"href":"https:\/\/carleton.ca\/fass\/wp-json\/wp\/v2\/posts\/23967\/revisions"}],"predecessor-version":[{"id":34056,"href":"https:\/\/carleton.ca\/fass\/wp-json\/wp\/v2\/posts\/23967\/revisions\/34056"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/carleton.ca\/fass\/wp-json\/wp\/v2\/media\/24080"}],"wp:attachment":[{"href":"https:\/\/carleton.ca\/fass\/wp-json\/wp\/v2\/media?parent=23967"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/carleton.ca\/fass\/wp-json\/wp\/v2\/categories?post=23967"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/carleton.ca\/fass\/wp-json\/wp\/v2\/tags?post=23967"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}